2.7Km 2021-12-08
59, Sarim-ro 16beon-gil, Uichang-gu, Changwon-si, Gyeongsangnam-do
+82-55-714-7646
The House of Changwon was home to Du-cheol (pen name Toeeun), a famous scholar. This house is now used as a traditional lifestyle and culture learning center for studying traditional Korean culture and customs. Built on a 10,209 ㎡ site, the house contains 14 buildings, including one exhibiting a collection of farming tools. The establishment itself is one of few living artifacts in the country, offering a peek into how ancient Koreans lived. The complex serves as the venue for a cultural class for visitors and other events and functions such as a chapel for traditional weddings and other ceremonies.
2.8Km 2024-01-05
San 9-1, Samdong-dong, Seongsan-gu, Changwon-si, Gyeongsangnam-do
Changwon Arboretum is an urban park located near Changwon City Hall. It has 14 themed gardens, including Sky Garden, European Garden, Forest of Children's Songs, Flower Hill, and Rock Garden, as well as exhibition halls and landscaping facilities such as a cactus greenhouse, Byeokcheon Fountain, a pond, and a rest area. Visitors can enjoy rare plants in the greenhouse, where 6,621 cacti and various subtropical plants are growing. In addition to descriptions of the 14 themed gardens, including the Textbook Botanical Garden and Forest of Children's Songs, the greenhouse offers a free guided tour covering the history of the forest and the role of the arboretum.
3.0Km 2024-04-19
362, Woni-daero, Uichang-gu, Changwon-si, Gyeongsangnam-do
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3.4Km 2024-06-27
320, Woni-daero, Uichang-gu, Changwon-si, Gyeongsangnam-do
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3.5Km 2024-04-19
320, Woni-daero, Uichang-gu, Changwon-si, Gyeongsangnam-do
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3.9Km 2024-04-22
415, Changwon-daero, Uichang-gu, Changwon-si, Gyeongsangnam-do
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4.0Km 2024-04-23
6, Changwon-daero 397beon-gil, Uichang-gu, Changwon-si, Gyeongsangnam-do
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5.3Km 2025-03-22
56-42, Jangboksan-gil, Jinhae-gu, Changwon-si, Gyeongsangnam-do
+82-55-225-7024
Jangboksan Sculpture Park stands as the unofficial gateway to Jinhae at the end of Jangbok-ro Road between Masan and Jinhae. Built in 1979 in the wake of a mountain landslide, the park offers a panoramic view of Jinhae and its quiet waters. In spring, more than ten thousand cherry trees interspersed throughout the pines come to full bloom, permeating the air with their sweet fragrance.
Nearby attractions include Daegwangsa and Jinheungsa Temples, the Citizens’ Hall, the Gyeongnam Literary Hall, and Jinhae Park Land, located halfway up Jangboksan Mountain. To visit these attractions and explore the beauty of the forest, simply follow the walking trail from Jinhae Girls’ High School to the park (1.5 kilometers) and continue walking along the path from the Jangboksan Rest Area to Gumajin Tunnel (1 kilometer).
6.1Km 2021-01-29
Areas of Jangboksan Mountain, Anmin-dong, Seongsan-gu, Changwon-si, Gyeongsangnam-do
+82-55-225-3691
Anmingogae Hill is a 9-kilometer-long hill that stretches from Taebaek-dong in Jinhae to Anmin-dong in Changwon. Cherry blossom trees line both sides for 6 kilometers of the 9-kilometer road, making up the famous inhae Cherry Blossom Tunnel. The hill is also known for its view of Jinhaeman Bay, Ungsan Mountain, Sirubong Peak and Cheonjabong Peak. The hill is dotted with benches placed about 100 meters apart, offering visitors a seat to catch their breath while enjoying the view and cherry blossom trees.
Also of note is Anmin Saengtaegyo Bridge (Anmin Ecology Bridge), which was built as a passageway for wild animals to travel between Jangboksan and Ungsan mountains after the mountains were divided by the Anmin Tourism Road running between Jinhae and Changwon.
6.4Km 2022-12-29
275-51, Jillye-ro, Jillye-myeon, Gimhae-si, Gyeongsangnam-do
The name “Clayarch” is a compound word of clay and arch, short for“architecture.” It embodies the basic spirit of the museum, which is to pursue development in the field of architectural ceramics through working with science, art, education, and industry.
Clayarch Gimhae Museum aims to play a leading role in the development of architectural ceramics, which are now spreading across the globe. It intends to do so by rediscovering the relationship between ceramics and architecture – a matter that has been relatively ignored – as a new direction for ceramic art. This reflects the pluralism of this time, which seeks to pursue something creative and new and to overcome the limitations of specific fields through working with different genres. The museum seeks to actively lead this artistic attempt, and make aesthetic and scientific achievements in this field with theoretical backing gained through academic activities, lectures, and research.